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Harbach Music Publishing

Phantasy and Phugue for Solo Piano

Phantasy and Phugue, written in the fall of 1994, consists of three sections (in a single movement) with contrasting atmospheres of foreboding and playfulness. The first section is dramatic in vol-ume and texture, utilizing the full range of the keyboard, with hand...

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Pickles and Peppers for Organ

An entertaining piece of ragtime for solo organ that utilizes the wonderful registrational capabilities of the organ and adapts the "raggedy" style of Pickles and Peppers into an immediately appealing audience pleaser.

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Pleasure Flow, Tender Mist for Soprano and Piano

Pleasure Flow, Tender Mist is a song cycle for soprano that creates a gently stirring atmosphere and draws on the simple but pleasing lyrics. Each movement is distinct in its affect and harmonic structure yet together form a flowing organic whole. The moods range from...

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Poema for Solo Organ

An intriguing, lyrical organ piece from one of Ukraine's leading composers, Poema has the flavor of a Ukrainian folk song. Modal harmonies, tuneful melodies and ostinatos characterize this set of variations.

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Prelude and Fugue for Organ, Op. 16, No. 2

This work continues Harbach’s critically acclaimed series of arrangements of Clara Schumann’s Preludes and Fugues. This prelude in B-Flat Major has a beautiful melody, with added depth in the pedal line. The fugue is robust and rhythmic. CD recording available on...

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Prelude and Fugue for Organ, Op. 16, No. 3

Clara Schumann was well-known as a pianist and interpreter of Romantic piano literature, including the music of her husband Robert Schumann and longtime friend, Johannes Brahms. This work, from a set of three keyboard works, is a well-crafted prelude and fugue from...

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Prelude for Organ in F Major

This is the newly recovered wedding recessional that Fanny Mendelssohn Hensel (1805-1847) wrote for her own wedding in 1829. A stately march, it alternates between sections of full chords and imitative sections. Fanny is quickly becoming one of the best-known woman...

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Preludes and Fugues for Piano, Op. 16

In Dresden in early 1845, Clara, along with Robert, had embarked on a study of fugue and counterpoint. Op. 16 contains three preludes and fugues for piano, in G Minor, B-flat Major and D Minor respectively. These idiomatic works show to what great advantage she put...

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