by barbarah_admin | Oct 11, 2021
For Double Brass Sextet (Two six-voice choirs: solo choir and ripieno) Sulpitia Lodovica Cesis (1577-ca. 1619) came from Modena, the daughter of nobility. She entered the convent of San Geminiano in 1593. The convent was known for its excellent music. Cesis played...
by barbarah_admin | Oct 11, 2021
Rococo Promenade is based on the Baroque French overture style with a galloping fugal middle section before a return to the jaggedly dotted style of the beginning. Afternoon Divertimento alternates a calm, lullaby-like mood with bursts of frenzied energy typical of a...
by barbarah_admin | Oct 11, 2021
Contains material used later in the Messiah. I. Quel fior che all’alba ride Allegro • Grave • Moderato II. No, di voi non vo’ fidarm Andante con moto • Larghetto • Allegro Moderato
by barbarah_admin | Oct 11, 2021
When I was a choir director and organist, I found there was a need for moderately easy arrangements for violin, clarinet, and cello, or any combination of instruments that fit the ranges of the violin, clarinet, or cello. Bagatelle and Holiday Trio are the two pieces...
by barbarah_admin | Oct 11, 2021
The author of the text is unknown, and the language of the Ojibwa Prayer is also known as Chippewa, Saulteaux, Southern Ojibway, and Mississippi Ojibwa. The prayer was taken from Bishop Frederick Baraga’s Catechism written in the middle 1800’s. This setting is...
